Sunday, May 23, 2010

THE RISE AND FALL OF THE GAUNTLET

Today has been both ridiculously exceptional as well as filled with abject desolation.  

The heady exception came in the other-worldly conduction of sublime inspiration and pragmatic execution that seamlessly unfolded during the course of the afternoon as I was preparing a post in answer to the friendly challenge J.D. Smith set before me yesterday.  The challenge mandated that I reflect my thoughts in poetry versus prose and was one I was, at first, reluctant to accept given the deeply personal content of most of my poetry.

But after a fair amount of time and some reasonable consideration, I decided, "What the hell!  Why not?"

And so I gathered up a handful of some of the poems I had written over the years, ordered them in a way that seemed most appealing and logical, and then proceeded to preface them with an explanation as to why I was posting them and, particularly, why I had been so reluctant to share them in the past.

Being the obsessive curator of words that I am, it took me several hours as I labored over both the content as well as having to troll the bottom-most layers of my soul to figure out, even for myself, why this poetic receptacle has been so vital and so dangerously personal to me for most of my life.

It was good.  I mean, it was really, really, really good!  Possibly the best writing I have done ever. Ever. Ever, ever, ever.....

At this point, most of you veteran bloggers (of which I am not) are feeling a slight gnawing in your abdomen and a tightening in the back of your throat because you know where I am going with this having likely experienced it yourselves; and if your reaction to it was as layered with black thoughts as was mine, there is a good chance you might still be in therapy right now questioning the seeming lack of justice in the universe.

About an hour ago my brilliant, exquisite, intelligent post was complete and my brilliant, exquisite, intelligent ego had come out of seclusion and was heavily imbibing in a large carafe of  AM I F***in' AWESOME, OR WHAT?

The preface was profound.  It was candid and salted with just enough grains of humor as to not be maudlin or affected.  It was rounded out to the nearest whole qualifier of perfection with the deft execution of God.

But there was something not quite settled about it.  Something that lacked the fluent grace of heaven and needed an ever-so-slight adjustment.   One poem just did not fit the mix, and so I made the executive decision to delete it.

If I had any questions as to the nature of and emotions in hell before that move, I need question no more.  With the exception of the last three lines of the final poem, I had inadvertently deleted my entire draft.  The whole thing.  Gone. Voided.  Eradicated.  Eviscerated.  Expunged.  Destroyed.  Decimated.
O-Fucking-bliterated!!!!!!

Pardon my use of such a raw expletive but nothing leaner than a fat, crude, street-invective can adequately convey the radical implosion of my sanity at that moment.

After an hour or so of frantically searching the net and every blogger help site and post available in the English-speaking world,  I realized that it was hopeless.  My words were gone and now no one would ever know the mind-blowing spark of pure, unadulterated brilliance housed between my ears because there was no possible way I could mine that particular vein of awesome again.

It's time to move to another cavern of promise and get back to digging.

In the meantime, here are those lousy poems and I am definitely keeping the one that triggered today's cyber-psychotic breakdown OFF THE LIST!   Forever!

No preface this time.

And no turning back!

















SELF INDULGENCE 

Some things are never meant to be
Those brittle limbs of misspent dreams
Where consequence is always freed
From knowing all that sorrow means

The sweet allures of 'self' and 'choice'
Obliterate the Sacred Mind
Denying access to The Voice
That speaks of 'fair' and 'truth' and 'kind'

Instead we cultivate our plans
To counterbalance discontent
With lies that fashion and demand
More recompense than we have spent

We stake our pride in vapid ground
To circumnavigate our trials
And when no solace can be found
We counteract by swift denials

For every choice a price is paid
A judgement, fair, for every hand
But once the soul has been betrayed
There is no Truth on which to stand

Yet if we knew the somber cost
Of trying to outwit our pain
We gamely suffer any loss
To earn the grace that it contained























THE MARITAL BED



Extracted from my sleep
I disavow
The conjugal mystique
behind his bliss
What alabaster prayer
can stop it now;
that trace of rage unfurled
within my kiss?

This life, with dreaming dormant
through the day,
has sanctuary sacred
in the night
Its funding of forgiveness
strips away
the rancor I exhibit
as delight.

But now redemptive pleasure
takes me in
and holds tomorrow
as I hold my breath
Recovering the mask
beneath my sin
I dance with silence
like I'd dance
with death.






















 THE LANGUAGE OF HIGH SCHOOL



We were so vocal then 
Bold and Fly-high-ing
Marking with world with a language
We invented

Fast and incisive
Taking corners on two syllables
Carving our initials with loud vowels
or invectives
Deep into the commitment of unspoken trust

Each one of us
Rounding out words in those spaces
between thoughts
Fresh verbs that carried to resonance
Codified lingo we lived by
or folded into memory

Our sentences
Fully varnished
In the common care
Of friendship.


























Surviving The Plan

Recovering a carefully labeled midlife
My hours committed to blanching displeasure
Preventing the truth from revealing the strife
In language whose texture’s too common to measure

The play of good conscience restores as it’s able
The loss of our substantive need for each other
It buries the facts of this misguided fable
Dismembering dreams we will never recover

Survival increases my lien on deception
The debt of the hollow and human design
It alters by count all the fractured perceptions
That challenge my plan to perfect and refine

It weathers this shallow, truncated devotion
As need resurrects my expandable sinning
By polishing myths that I set into motion
With the lies that I spoke from the very beginning 






















Dead Ahead



At seventeen we were mystics; peace reapers
Posed in The Lotus on hardwood upstairs
Walled in by paper columbines, sun-faded and fraying
Gilting our innocence in Kansas with transcendental leaves
Culled from Siddartha and Shiva
Sung out with Hendrix, Jimi
or Dead, Grateful The
Blissfully
OM

Our language became a cathedral, fabled and fertile
Expandable deities shingled with prayers
Not anchored but hinged to forgiveness
Funding forbearance with decorous chaplets
Sounded out, poised
In dead silence
Religiously
OM

Choking on souls swallowed whole we would sing
Strapped into denim, hip-high, urban-wide
Aching to break from that Midwestern amble
And stride toward nirvana..or at least The Coast
Strung out on hope
Not Dead. Holy.
Supposedly
OM



Now as midlife bears down on light-seeking, we pray
For a lightness to aging; rewinding the distance from then to deliverance
As routine supplants revelation; and sanctity,
Desperate and thin, is shameless like voices
Screaming out in fear
Of dead endings
Repeatedly
OM




DARBY'S STAR

Darby O'Shea longed to live on the star
he saw in the distance
while driving his car.

His mind often wandered when traveling at night
A salesman by trade
is a pretty dull life.

Though how we would get there was not very clear
he somehow could sense
that the answer was near.

And as he gazed up at that beautiful sight,
his car veered off left
but the road angled right.

Darby O'Shea now resides on that star,
and he knows he arrived,
indirectly, by car.